These decorative elements, combined with a closely cropped composition and a background simplified into three distinct areas of colour, result in a powerful image which pushes man and beast into the foreground the viewer is confronted with an instantly recognizable yet powerfully symbolic image which has as much resonance today as it did for the audience for whom it was originally intended. Hercules mimics the pose of the warrior in the sculpture, which was itself derived from numerous charcoal Academic drawings made by the artist in preparation for his project (fig.2). The voluted frame balances and softens the rigid pose of Hercules, and echoes the sinuous and stylized form of the serpents. Here the drama of the subject is balanced by a decorative effect achieved through the artist's use of striking, almost artificial, blues and greens, and by a choice of frame which, as in most of von Stuck's paintings, is integral to the entire work. Von Stuck was an artist who blended his knowledge of sculpture, furniture design, the applied arts and painting to create objects that were profoundly decorative and heavily stylized. The appeal of this extraordinary painting to modern sensibilities lies primarily in its aesthetic qualities. Even in my religious pictures I try to bring out the universal human element.' Asked by a journalist which area of work intrigued him most, Stuck replied: 'My aim is to glorify male strength and female softness. Von Stuck typically found these themes in Greek mythology, an iconography he turned to not so much as part of a national call to reclaim a lost Arcadia, but generally to convey in a modern idiom the same universal themes they originally aimed to express. Already during his lifetime an internationally celebrated painter. In addition to its specific political message, Hercules and the Hydra fits into a wider European artistic context, notably a monumental movement which glorified concepts such as perseverance, courage and strength. One of the most famous representatives of Symbolism and Art Nouveau. All franz stuck paintings ship within 48 hours and include a 30-day money-back guarantee. Like the athletic Hercules, the Wagnerian Siegfried of the Nibelungen saga symbolised courage and strength.' (exh. Choose your favorite franz stuck paintings from 402 available designs. It was entered into the 1889 art exhibition at the Glaspalast in Munich, where it won a gold medal and 6000 Mark. It shows a glowing angel with bird-like wings and a flaming sword. As Edwin Becker explains 'It was intended as a direct appeal for Germany to be defended tooth and nail against the surrounding countries and was adopted in all sectors of society.later, when it became clear that Germany was going to lose the war, it was renamed 'Siegrfried'. The Guardian of Paradise (German: Der Wchter des Paradieses) is an 1889 painting by the German artist Franz Stuck. 1), the title of which refers to a motto introduced by the Kaiser, Wilhelm II, at the beginning of the First World War. The genesis of this painting is linked directly to one of von Stuck's most famous sculptures, Feinde Ringsum ( Enemies all around, fig. It is also one of the few works by the artist to have explicitly political overtones. In 1895 he began teaching painting at the Munich Academy.One of the most important of Franz von Stuck's paintings, Hercules and the Hydra bears all the hallmarks for which the artist is most famed: it combines a mythological motif, a powerful, sculptural human form, with a profoundly decorative quality. Also during 1893, Stuck was awarded a gold medal for painting at the Worlds Columbian Exposition in Chicago, and was appointed to a royal professorship. The next year he won further acclaim with the critical and public success of what is now his most famous work, the painting The Sin. In 1892 Stuck co-founded the Munich Secession, and also executed his first sculpture, Athlete. In 1889 he exhibited his first paintings at the Munich Glass Palace, winning a gold medal for The Guardian of Paradise. He first became well known by cartoons for Fliegende Blätter, and vignette designs for programmes and book decoration. From 1881 to 1885 Stuck attended the Munich Academy. To begin his artistic education he relocated in 1878 to Munich, where he would settle for life. In 1906, Stuck was awarded the Order of Merit of the Bavarian Crown and was henceforth known as Franz Ritter von Stuck.īorn at Tettenweis near Passau, Stuck displayed an affinity for drawing and caricature from an early age. Franz Stuck (Febru– August 30, 1928) was a German painter, sculptor, engraver, and architect.
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